|
I have been gathering a number of resources about these vaccines that are currently on the market. I am rather cautious and not given to conspiracy theories, so I select my resources carefully. What concerns me at this time is that adverse reactions to these vaccines, all of which are only under a temporary emergency use authorization, are alarmingly mounting, but news about it had been being suppressed.
But more of it is being reported now, and not just by "conspiracy theorists", but reputable news and government sources, it can no longer be ignored. I present a selection of items which I shared on Twitter. But first, for the sake of being thorough and fair, here is a video by the FDA explaining the Drug Approval Process:
The process is similar in Europe and other places in the world. Check out how the WHO explains it:
WHO lists additional COVID-19 vaccine for emergency use and issues interim policy recommendations
A interesting read would be this, and perhaps read it first before continuing here - the link opens in a separate window:
What does full FDA approval of a vaccine do if it’s already authorized for emergency use?
Apropos FDA, you might want to check out and follow the link on this tweet:
— Otto Rapp (@ArtOfTheMystic) August 13, 2021 here are some select tweets i posted or shared lately:— Otto Rapp (@ArtOfTheMystic) August 20, 2021
Now I like to present something that some may consider controversial - videos such as these are often banned on social media sites and YouTube. A shame really, because a exchange of ideas is often impossible and only one side, the officially sanctioned opinion, is presented. But like I mentioned above, more of it is also appearing now in the main stream media.
A PATHOLOGIST SUMMARY OF WHAT THESE JABS DO TO
|
|
Bravo. Merci de rappeler à nos sénateurs qu'il existe encore un peuple en France, dont ils sont les serviteurs. Aidons le dictateur Castex à retrouver ses lunettes pour voir le peuple. Aidons le tyran Macron à choisir entre la banque Rotschild dont il est la marionnette et la France. J'ai envoyé cette vidéo à un grand nombre de sénateurs. Voici la réponse que j’ai reçue de Vincent Delahaye, Vice président du sénat : « Je partage votre souhait de sortir au plus vite de cette dictature sanitaire et de retrouver la liberté d’aller et venir. Je n’ai pas voté les prorogations de l’état d’urgence et ne voterai pas la prochaine. J’espère être suivi par des collègues sénateurs de plus en plus nombreux. Mais ce n’est pas gagné. Bien cordialement. ». Si nous étions des centaines à écrire à nos parlementaires, peut-être verraient-ils le peuple, sous leurs fenêtres ? Faudra-t-il organiser des flashmobs devant chaque permanence de chaque député LREM ou autre qui ont voté l'état d'urgence pour qu'ils voient le peuple ?
|
Well done. Thank you for reminding our senators that there is still a people in France, of which they are the servants. Let's help dictator Castex find his glasses to see the people. Let us help the tyrant Macron to choose between the Rotschild bank of which he is the puppet and France. I have sent this video to a large number of senators. Here is the response I received from Vincent Delahaye, Vice President of the Senate: "I share your wish to get out of this health dictatorship as quickly as possible and to regain the freedom to come and go. I did not vote on the state of emergency extensions and will not vote on the next one. I hope to be followed by more and more fellow senators. But it is not won. Best regards. ". If there were hundreds of us writing to our parliamentarians, perhaps they would see the people under their windows? Will it be necessary to organize flashmobs in front of each office of each LREM deputy or other who voted for the state of emergency so that they can see the people?
|
|
Brussels
Bruxelles veut danser encore. Still Standing for Culture. Flashmob 1/5/2021 gare Bruxelles Central
Munich
Flashmob "Danser Encore", München 01.05.2021
Bologna
"Danser encore" FLASHMOB Bologna (Danzare ancora - Italian Version) - 25 Aprile 2021
Berlin
Wieder tanzen gehn - Flashmob Berlin 17.04.20021 - Danser encore
|
Madrid
Flashmob "Danser Encore" en España -- Madrid,
3 de mayo de 2021 -- Seguir Bailando!! Amsterdam
Freedom Danser Encore Flash Mob - 5 May 2021
Zurich
Dance again Flashmob Zürich Switzerland (Zéphyr Combo & Friends) - 12. April 202
Barcelona
FLASHMOB ~ Barcelona 23.4.2021 ~ Danser encore ~ Versió catalana
|
It's the New World anthem! That of fraternity, of conscience, of the joy of dancing life together!
Wiedereröffnung nach Corona Lockdown
After one month in lockdown, we are all the more pleased to be able to open our doors again to all art lovers!
As of May 4th, the Ernst Fuchs Museum in the Otto Wagner Villa is open again at the usual times: Tuesday to Sunday, 10am to 4pm. Reservations in advance are not necessary for a visit, tickets are available on site or in our online ticket shop.
There is also a new feature: The pandemic forces us to be inventive and so we have decided – until we are allowed to reopen our Café Esther in the garden of the Villa normally again – to offer drinks and food TO GO from now on. So when you visit the museum, your physical well-being will also be adequately catered for!
Stay healthy and we look forward to welcoming you at the museum soon! Tip: When the weather is sunny, a visit to the museum can be combined very nicely with a walk in the forest!
Nach gut einem Monat im Lockdown freuen wir uns umso mehr, unsere Türen nun wieder allen Kunstinteressierten öffnen zu dürfen!
Seit 4. Mai hat das Ernst Fuchs Museum in der Otto Wagner Villa nun wieder zu den gewohnten Zeiten geöffnet: Dienstag bis Sonntag, 10 bis 16 Uhr. Voranmeldungen sind für einen Besuch nicht erforderlich, Tickets gibt es vor Ort oder in unserem Online-Ticketshop.
Weiters gibt es eine Neuerung: Die Pandemie macht erfinderisch und so haben wir beschlossen – bis wir unser Café Esther im Garten der Villa wieder normal öffnen dürfen – ab sofort Getränke und Speisen TO GO anzubieten. Bei einem Besuch des Museums ist also auch für das leibliche Wohl ausreichend gesorgt!
Bleiben Sie gesund und wir freuen uns sehr, Sie bald bei uns im Museum begrüßen zu dürfen! Tipp: Bei schönem Wetter lässt sich ein Museumsbesuch sehr schön mit einer Waldwanderung verbinden!
|
We have a special treat for everyone who does not have time to go on an excursion to the edge of the Vienna Woods right away! With the following link it is possible to visit the Ernst Fuchs Museum digitally and to take an online tour of the premises:
|
Für alle, die nicht sofort Zeit haben, sich wieder zu einem Ausflug an den Rand des Wiener Waldes aufzumachen, haben wir ein besonderes Schmankerl! Unter folgendem Link ist es möglich, das Ernst Fuchs Museum auf digitalem Wege zu besuchen und sich die Räumlichkeiten in einem Online-Rundgang anzuschauen:
|
ON-LINE VIRTUAL REALITY ERNST FUCHS MUSEUM
Will the end of the COVID-19 pandemic usher in a second Roaring ’20s?
While some places remain mired in the third wave of the pandemic, others are taking their first tentative steps towards normality. Since April 21, Denmark has allowed indoor service at restaurants and cafes, and football fans are returning to the stands. In countries that have forged ahead with the rollout of vaccines, there is a palpable sense of optimism.
And yet, with all this looking forward, there is plenty of uncertainty over what the future holds. Articles on what the world will look like post-pandemic have proliferated and nations worldwide are considering how to recover financially from this year-long economic disaster.
Almost exactly a hundred years ago, similar conversations and preparations were taking place. In 1918, an influenza pandemic swept the globe. It infected an estimated 500 million people — around a third of the world’s population at the time — in four successive waves. While the end of that pandemic was protracted and uneven, it was eventually followed by a period of dramatic social and economic change.
The Roaring ‘20s — or “années folles” (“crazy years”) in France — was a period of economic prosperity, cultural flourishing and social change in North America and Europe. The decade witnessed a rapid acceleration in the development and use of cars, planes, telephones and films. In many democratic nations, some women won the right to vote and their ability to participate in the public sphere and labour market expanded.
Parallels and differences
As a historian of health care, I see some striking similarities between then and now, and as we enter our very own '20s it is tempting to use this history as a way of predicting the future.
Vaccine rollouts have raised hope for an end to the COVID-19 pandemic. But they’ve also raised questions about how the world might bounce back, and whether this tragic period could be the start of something new and exciting. Much like in the 1920s, this disease could prompt us to reconsider how we work, run governments and have fun.
However, there are some crucial differences between the two pandemics that could alter the trajectory of the upcoming decade. For one, the age-profile of the victims of the influenza pandemic was unlike that of COVID-19.
The 1918 flu — also called the Spanish flu — predominantly affected the young, whereas COVID-19 has mostly killed older people. As a result, fear probably refracted through the two societies in different ways.
Young people have certainly been affected by the COVID-19 pandemic: the virus has posed a threat to those with underlying health conditions or disabilities of all ages, and some of the variants have been more likely to affect younger people. A year of lockdowns and shelter-in-place orders has had a damaging effect on mental and emotional health, and young people have experienced increased anxiety.
Read more: COVID-19’s parallel pandemic: Why we need a mental health 'vaccine'
However, the relief of surviving the COVID-19 pandemic might not feel quite the same as that experienced by those who made it through the 1918 influenza pandemic, which posed an immediate risk of death to those in their 20s and 30s.
1918 vs. 2020
Crucially, the 1918 flu came immediately after the First World War, which produced its own radical reconstitution of the social order. Despite the drama and tragedy of 2020, the changes we are living through now might be insufficient to produce the kind of social transformation witnessed in the 1920s. One of the key features of the Roaring '20s was an upending of traditional values, a shift in gender dynamics and the flourishing of gay culture.
While the prospect of similar things happening in the 2020s might seem promising, the pandemic has reinforced, rather than challenged, traditional gender roles. There is evidence for this all over the world, but in the United States research suggests that the risk of mothers leaving the labour force to take up caring responsibilities at home amounts to around US$64.5 billion per year in lost wages and economic activity.
When most people think of the Roaring '20s they probably call to mind images of nightclubs, jazz performers and flappers — people having fun. But fun costs money. No doubt, there will be plenty of celebration and relief when things return to a version of normality, but hedonism will probably be out of reach for most.
Young people in particular have been hard hit by the financial pressures of COVID-19. Workers aged 16-24 face high unemployment and an uncertain future. While some have managed to weather the economic storm of this past year, the gap between rich and poor has widened.
Inequality and isolationism
Of course, the 1920s was not a period of unadulterated joy for everyone. Economic inequality was a problem then just as it is now. And while society became more liberal in some ways, governments also enacted harsher and more punitive policies, particularly when it came to immigration — specifically from Asian countries.
The Immigration Act of 1924 limited immigration to the U.S. and targeted Asians. Australia and New Zealand also restricted or ended Asian immigration and in Canada, the Chinese Immigration Act of 1923 imposed similar limitations.
There are troubling signs that this might be the main point of similarity between then and now. Anti-Asian sentiment has increased and many countries are using COVID-19 as a way of justifying harsh border restrictions and isolationist policies.
In our optimism for the future, we must remain alert to all the different kinds of damage the pandemic could cause. Just as disease can be a mechanism for positive social change, it can also entrench inequalities and further divide nations and communities.![]()
Agnes Arnold-Forster, Researcher, History of Medicine and Healthcare, McGill University
This article is republished from The Conversation under a Creative Commons license. Read the original article.
a "teaser" preview - a larger video including the process is in the works
This is a short teaser about my fantasy drawing, showing details only.
See the full drawing here on EasyZoom in high resolution
Sulamith Wülfing - eine Vorschau - a sneak preview
OTTO RAPP
This blog is primarily art related - for my photography please go to
Otto Rapp Photo Blog
*
Since April 2020 I have also dedicated a category of my blog to the current Corona Virus crisis.
Archives
March 2025
September 2024
April 2024
January 2024
November 2023
October 2023
March 2023
January 2023
June 2022
May 2022
April 2022
March 2022
January 2022
December 2021
November 2021
October 2021
September 2021
August 2021
July 2021
June 2021
May 2021
April 2021
March 2021
February 2021
January 2021
November 2020
October 2020
September 2020
August 2020
July 2020
June 2020
May 2020
April 2020
March 2020
February 2020
December 2019
November 2019
September 2019
May 2019
April 2019
March 2019
November 2018
October 2018
September 2018
July 2018
February 2018
January 2018
September 2017
August 2017
July 2017
May 2017
April 2017
March 2017
February 2017
January 2017
November 2016
October 2016
September 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
May 2014
April 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
March 2013
February 2013
Categories
All
123RF
3D Printing
A CHANCE FOR HAPPINESS
Alberta
Animal Farm
Animation
Archaic Visions
Art Basel
Art Criticism
Art Fair
Art Gallery
Art History
Artisteem
Artists
Art Of The Mystic
Art Of Where
Atelier Modovan
Australia
Austria
Biennale
Biology
Birthday
Blockchain
Blogs
Blurb
Book
Bruce Rimell
Cafe Kosmos
Calendar
Calgary
Canada
Caroline Schell
Castle Gloggnitz
Catalog
Censorship
Ceramics
CHARITY
Chimeria
Christmas
Civil Disobedience
Clemens Arvay
Clothing
Conceptual Art
Conspiracy Theories
Contest
Corinna Herden
Corona Virus
Crazy
Cult
Deep Dream
De Es Schwertberger
Defamation
Demons
Demonstration
Designs
Digital Art
Documentary
Domestic Abuse
Drawing
Drawings
Dreams & Divitities
Emily Levy
Ernst Fuchs
Ernst Fuchs Museum
Exhibition
Facebook
Face Masks
Family
Fantastic Art
Fantastic Art Shop
Fantastic Realism
Fantastic Realism
Fantasy
Fashion
Fine Art
Fine Art America
Flickr
Friends
Fritz Janschka
Fundraising
Galerie Esther
Gallery Bator
Garden Of Fernal Delights
George Orwell
Gesichtsschutz
GIF Generator
Graduation
Grand Salon 2017
Grand Salon 2018
Greece
Group Show
Harlan Ellison
Heinsberg Study
Henry David Thoreau
Hieronymus Bosch
Hive
Holiday
Humor
Immune System
Infeld
Instagram
International Surrealism Now
Internet
Interview
Isabella Bogner Bader
Isolation
Ivermectin
Jason Rapp
Jos Pirkner
Kunstquartier Wien
LAXENBURG
Leisure
Liba W Stambollion
Magical Dreams
Magic Realism
Medicines
Memorial
Mental Health
Merchandise
Met Museum
Minerva Art Gallery
Modern Art
Movie
Music
Mythology
Nature
Nautilus Studio
Neuroscience
News
Obituary
Omicron
One Art Space
Open House
Open Studio
Otto Rapp
Otto Rapp
Painting
Paintings
PeakD
Performance Art
Phantastik In Der Box
Photobucket
Photography
Pigmalion
Pinterest
Pixels
POD
Poetry
Pollution
Portrait
Portugal
Poster Art
Post-modernism
Prints
Prof. Dr. Hendrik Streeck
Promotion
Psychology
Public Collections
Quantum Theory
Religion
Reminiscing
Research
Rosenmaedchen
Rue Morgue Magazin
Sale
Satire
Science
Sculpture
Serbia
Shahram Alizadeh
Shoes
Siamcat
Social Isolation
Social Networks
Society For Art Of Imagination
Solo Exhibition
Soundcloud
Steem
Steemit
Surrealism
Theater
The Conversation
The Painted Word
Tom Wolfe
T-shirts
Ukraine
University Of Lethbridge
Vaccines
Video
Viechtach
Vienna
Vienna Academy Of Visionary Art
Vienna School Of Fantastic Realism
Villa Berberich
Visionary
Visionary Art
Vocativ
Website
Weebly
WINGNUTS
Woodstock
Workshop
Writing
Youtube
Yvette Endrijautzki
Zazzle









































RSS Feed











































